The Vault

Written during the Red sessions but given to Little Big Town, who took it to #1 on the country charts and won the CMA Song of the Year. Taylor finally reclaimed the song on Red (Taylor's Version) in 2021, revealing the deeply personal original that had been hiding in someone else's catalog for five years.

Co-written with Pat Monahan of Train during the Red era and given to Sugarland for their 2018 album Bigger. The original Taylor version remained unreleased until Red (Taylor's Version), where it appeared as a vault track with a more stripped-back, intimate arrangement than Sugarland's version.

The title track from a limited-edition Walmart-exclusive EP released between Taylor's debut and Fearless. The EP sold over 45,000 copies in its first week but was never made available on streaming platforms, making it one of the rarest official Taylor Swift releases.

An early songwriting demo from Taylor's pre-record-deal days, written when she was around 13 years old. The song showcases her storytelling instincts even at that young age, with vivid imagery of Tennessee landscapes and teenage longing. It has circulated among fans but never received an official release.

A demo from Taylor's earliest songwriting sessions, sometimes referred to by the alternate title Battle Born. The track circulated online among dedicated fans and represents Taylor's formative Nashville period when she was shopping for a record deal.

A bonus track from the deluxe edition of Taylor's self-titled debut, available only on certain physical releases. The playful track about a secret crush has never appeared on streaming platforms, making it a sought-after rarity among collectors and completionists.

A rumored early demo version that circulated online, predating Lady A's massive hit of the same name. The existence and authenticity of this demo has been debated among fans for years, with some believing Taylor wrote a version before the Lady A song was released.

An early demo written about Taylor's move to Nashville to pursue a music career. The song captures the wide-eyed optimism of a teenager arriving in Music City with big dreams, and has circulated among fans as one of the earliest examples of Taylor's autobiographical songwriting style.

A Target-exclusive bonus track from the Speak Now deluxe edition. The uptempo country-pop track about someone leaving a permanent impression has never been released on streaming platforms, making it accessible only through physical copies of the deluxe CD.

A deluxe-edition bonus track from Speak Now about falling for someone larger than life. Like other physical-only bonus tracks, Superman exists in a limbo between official release and unavailability, never appearing on streaming platforms despite being a finished, mastered song.

Written for the 2013 film One Chance and produced by Jack Antonoff — one of their earliest collaborations. The song earned a Golden Globe nomination and offered a preview of the synth-pop direction Taylor would fully embrace on 1989, but it has never appeared on any of her studio albums.

Released as a single from the Valentine's Day movie soundtrack, this song debuted at #2 on the Hot 100 but was never included on a Taylor Swift studio album. It eventually appeared on Fearless (Taylor's Version) as a bonus track, finally giving it a proper album home after over a decade.

A devastating tribute to Ronan Thompson, a four-year-old boy who died of cancer, written using his mother Maya's blog posts as inspiration. Taylor performed it once at the 2012 Stand Up to Cancer telethon and then shelved it for nearly a decade before including it on Red (Taylor's Version). It remains one of the most emotionally difficult songs in her catalog.

A haunting folk ballad recorded with The Civil Wars for The Hunger Games soundtrack. The song earned a Grammy nomination and hinted at the stripped-down, atmospheric direction Taylor would later explore on folklore — nearly a decade before that album existed. It has never appeared on one of her numbered studio albums.

A featured appearance on B.o.B's single from his album Strange Clouds. Taylor sang the soaring pop-country chorus while B.o.B handled the verses. The track reached #18 on the Hot 100 but exists outside Taylor's own discography, making it an oddity in her catalog.

Taylor has confirmed that additional songs were written during the 1989 sessions beyond the five vault tracks that appeared on 1989 (Taylor's Version). These remaining tracks have never leaked or been officially described, leaving fans to speculate about what else was recorded during the sessions that produced her first fully pop album.

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The reputation era remains the only major album cycle without a Taylor's Version release as of 2026. Fans have long speculated about what vault tracks might exist from sessions that produced one of Taylor's most sonically ambitious albums. Until reputation (Taylor's Version) arrives, these songs remain the most anticipated unreleased material in her catalog.

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The original extended version of All Too Well was legendary among fans for years before Taylor officially released the 10-minute version on Red (Taylor's Version). Early demos of this version — rumored to be even rawer and more unfiltered than the released cut — reportedly exist but have never surfaced publicly.